Paul Bush Films

WHILE DARWIN SLEEPS . . .
2004 - 5 mins - 35mm - colour
Produced, directed, animated and edited by Paul Bush
Camera - Paul Bush
Sound design - Andy Cowton
An Ancient Mariner Production
Made with financial support from NESTA (the National Endowment for Science, Technology and the Arts).

More than three thousand insects appear in this film each for a single frame. As the colours glow and change across their bodies and wings it seems that the genetic programme of millions of years is taking place in a few minutes. It is a rampant creation that seems to defy the explanations of evolutionists and fundamentalists. It is like a mescalin vision dreamt by Charles Darwin.

The film is inspired by the insect collection of Walter Linsenmaier in the natural history museum of Luzern. As each insect follows the other, frame by frame, they appear to unfurl their antennae, scuttle along, flap their wings as if trying to escape the pinions which attach them forever in their display cases. Just for a moment the eye is tricked into believing that these dead creatures still live . . .

'As thousands of different species swim past our eyes, a strange effect occurs. We feel to be watching a single species morphing from one phase in its history to another. It is as though we were watching a time-lapse film, albeit one charting the entire story of evolution rather than a few hours or days... The effect is akin to an evolutionary sublime - the sheer volume of information which floods our sensory apparatus overpowers our ability to identify, classify or comprehend any individual species. Accordingly our brain accepts them to be a single unity; as one monstrous shape-shifting creature in constant metamorphosis... The experience the work offers is both marvellous and monstrous; of a kind of natural history gothic where the artist is like a sorcerer's apprentice at work in the sanctity of a museum. ' Alistair Robinson

'Optimistically celebratory of nature's infinite variety... though there's a hint of a bad trip down the garden path'
The Guardian

Best Animation - L'Alterantiva 2005 Barcelona
2nd prize - 2005 Media Forum, Moscow International Film Festival
Jury Special Distinction - 2005 Animated Film Festival of Wissemburg, France
British Animation Awards touring programme 2006 (UK)
Seeing, Watching, Filming touring programme 2004-5 (Netherlands)
Image Forum touring programme 2006 (Japan)
A Modern Bestiary 2006, Northern Contemporary Art, Sunderland
MASC Foundation 2007 Vienna


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			WHILE DARWIN SLEEPS . . . 2004 - 5 mins - 35mm - colour Produced, directed, animated and edited by Paul Bush Camera - Paul Bush Sound design - Andy Cowton An Ancient Mariner Production Made with financial support from NESTA (the National Endowment for Science, Technology and the Arts). More than three thousand insects appear in this film each for a single frame. As the colours glow and change across their bodies and wings it seems that the genetic programme of millions of years is taking place in a few minutes. It is a rampant creation that seems to defy the explanations of evolutionists and fundamentalists. It is like a mescalin vision dreamt by Charles Darwin. The film is inspired by the insect collection of Walter Linsenmaier in the natural history museum of Luzern. As each insect follows the other, frame by frame, they appear to unfurl their antennae, scuttle along, flap their wings as if trying to escape the pinions which attach them forever in their display cases. Just for a moment the eye is tricked into believing that these dead creatures still live . . . 'As thousands of different species swim past our eyes, a strange effect occurs. We feel to be watching a single species morphing from one phase in its history to another. It is as though we were watching a time-lapse film, albeit one charting the entire story of evolution rather than a few hours or days... The effect is akin to an evolutionary sublime - the sheer volume of information which floods our sensory apparatus overpowers our ability to identify, classify or comprehend any individual species. Accordingly our brain accepts them to be a single unity; as one monstrous shape-shifting creature in constant metamorphosis... The experience the work offers is both marvellous and monstrous; of a kind of natural history gothic where the artist is like a sorcerer's apprentice at work in the sanctity of a museum. ' Alistair Robinson 'Optimistically celebratory of nature's infinite variety... though there's a hint of a bad trip down the garden path' The Guardian Best Animation - L'Alterantiva 2005 Barcelona 2nd prize - 2005 Media Forum, Moscow International Film Festival Jury Special Distinction - 2005 Animated Film Festival of Wissemburg, France British Animation Awards touring programme 2006 (UK) Seeing, Watching, Filming touring programme 2004-5 (Netherlands) Image Forum touring programme 2006 (Japan) A Modern Bestiary 2006, Northern Contemporary Art, Sunderland MASC Foundation 2007 Vienna